Quantcast
Channel: my new plaid pants
Viewing all 13816 articles
Browse latest View live

And Then A Hero Comes Along

$
0
0

I think this is the last big thing I'll have for you before dropping head-long into Sundance coverage for the next two weeks -- my review of Asghar Farhadi's latest film A Hero has gone up at Pajiba this afternoon! Go on over and read it here. Very good movie, per usual with Fardhadi, truly a master. The film is available on Amazon Prime this Friday, so you've got no excuses not to watch it. Not having Prime isn't a real excuse, because that particular Borg has swallowed every one of us up long ago, I know it. 

Anyway this is probably a good moment to mention the whole Sundance thing -- I'm off for a full week starting tomorrow as I'll be nestled up on my couch with five or so movies from Virtual Sundance per every damned delightful day of that. I will be reviewing things for both Pajiba and The Film Experience, and I hope to link to said reviews from here, but I make no promises -- you can definitely keep up with me on Twitter at least, and whatever I don't link to between now and the end of Sundance I will definitely round-up when I am back at my desk next Friday. I wrote up a list of movies I'm most looking forward to a few weeks back right here. Very excited for my second virtual trip to Utah -- stay tuned!


Happy Monday, How You

$
0
0

Hello to you and you only! Checking in from the middle of my virtual Sundance Film Festival time off-blog to say hello and make sure this place doesn't slough off into the swamp. If you follow me on Twitter than you've seen some links to reviews that have gone up over the past few days, both from Sundance and not -- I'm not going to round them up right this minute because I'll do that on Friday, when I should be totally done with the fest and can do that properly, but you should know they are out there, in the world! Actually mainly right here at The Film Experience and right here at Pajiba. Those links will be helpful for the time being, and more helpful as more time, uhhh, be's. For just, just a hello! Don't forget about me please!
 

Andrew Garfield Two Times

$
0
0

Netflix Queue, the streamer's online magazine, went and dropped two more photos from last fall's already-favorite Andrew Garfield photo-shoot yesterday, so of course I had to dig myself off my couch -- where I have been stationed all week for the Sundance virtual film fest -- to post them. They come at a good moment anyway, where I can remind you I will be back here posting tomorrow. For the day. And then it's the weekend. (And we might get buried under a heap of snow here in NYC too.) Anyway until then enjoy your Thursday, enjoy these pictures, just... enjoy. See you tomorrow.
 


Good Morning, World

$
0
0

After a week spent watching around forty movies at Sundance and writing up fully one-quarter of the ones that I watched (with more to come) I gotta admit that I feel a little like Chris Hemsworth looks in this photo (via) -- I flexed some big muscles this week! Yes mine are on the inside (that's what he said) but they're no less spectacular. Anyway good morning, and we'll get to the SUndance round-up as it stands this here Friday in a little bit. For now I have to go eat my breakfast sandwich and reflect on how better to make these flabby outsides a little more Hemsworthian maybe. (Fewer breakfast sandwiches? Never.) 

Five Frames From ?

Quote of the Day

$
0
0

"I’ve chosen a lot of characters through many years to search through things, ideas, feelings. I think expression is life-saving. It breaks my heart that it’s not available to everyone. Ang Lee once said that we pretend in telling stories to get closer to the truth. It’s something that stuck with me and I think about often. I think that’s why we all love watching movies."

Not a big surprise that in the conversation between Jake Gyllenhaal and Lady Gaga that Variety conducted this week the latter dominated the conversation and so there wasn't much quote-wise for me to grab from the only reason I was reading the damn thing (i.e. Jake). But we did get the above bit of loveliness and it ain't nothing. Gaga tried at the end to toss me a bone with her Donnie Darko adoration but, having had to wade through her self-seriousness about killing children with Matt Bomer on American Horror Story for god's sake, twas too late far too little.



Freak Orlando

$
0
0

First things first -- and "first things" at MNPP are always the shirtless guy -- if the dude on the right in that photo above looks familiar to you then the chances are good that you have probably seen the truly bizarre 2018 soccer by way of cotton candy queer-scape flick Diamantino, as that is that film's extremely handsome star Carloto Cotta. Pictured above he's seen as part of the surprisingly broad cast of notable actors that show up in the Sundance premiered folk horror flick You Won't Be Alone, which I just reviewed today for Pajiba, read that here

It also stars in small roles Noomi Rapace, Alice Englert, Felix Maritaud -- these lightly familiar faces kept popping up amid all of these more obscure Estonian ones and surprising me. The film already has a trailer (watch it here) because it's being released on April 1st, and I recommend this one! If you watched and enjoyed that terrific doc about Folk Horror recently (which is on Shudder now, by the way) this will be right in that wheelhouse -- it's slow and odd and super queer; there's one scene (glimpsed in the trailer and screen-shotted below) where a bunch of the local young 19th century farmers strip naked and go jerk off in a field together that worth the price of admission alone! (These are the things I couldn't write about in my respectable review, but here at MNPP I'll go wild.)



Pics of the Day

$
0
0

The first photos of John Cameron Mitchell playing the Tiger King Joe Exotic and Kate McKinnon playing his tiger rival Carole Baskin have arrived today -- this is for Joe Vs Carole, the fictionalized retelling of the Netflix pandemic-hit reality-program Tiger King, which latched onto our fast spiraling early-2020 mindsets and distracted us for a hot minute before we realized what we'd done and that we should feel properly guilty about it. 

That said! I totally watched Tiger King (the first season anyway) and these two actors being cast in these two roles is enough of a mad stroke of genius that I have clearly got to watch this new take, no matter how I feel  at this point about these real people and the whole gross spectacle of their lives. There's no me saying no to John Cameron Mitchell and Kate f'ing McKinnon! So fingers crossed that this series becomes the definitive comedic telling of this sordid tale, and we can forget about the real folks, when Joe Vs Carole premieres on Peacock on March 3rd. Here's our first teaser:


Mifune At 100-ish

$
0
0

Excellent news for those of us here in NYC who love great movies and are maybe willing to start thinking about poking our heads out of our pandemic hidey-holes to go see them on the big screen again -- Film Forum has rescheduled their long delayed centennial celebration of the king Toshiro Mifune, which was supposed to happen properly back in April of 2020. It's now happening from February 11th through March 30th -- yes that's like six straight weeks of Mifune, and once you see what they've got scheduled you'll understand why. Thirty-three films including all sixteen legendary films that the actor did with his great collaborator the director Akira Kurosawa; it is, in their words, the most comprehensive retrospective of Mifune ever mounted. Not too shabby, ehh? If you want more info you can head over to Film Forum's website, or I've got the press release and the schedule (along with pictures because who doesn't want pictures of Mifune) for you after the jump...


MIFUNE, a four-week festival of 33 films celebrating the legendary Japanese actor Toshirō Mifune, will run at Film Forum from February 11 through March 30. The series, co-presented by The Japan Foundation, includes all 16 of Mifune’s collaborations with director Akira Kurosawa — “the greatest actor-director partnership in film history” (David Shipman) — along with rarities and rediscoveries in 35mm imported from the libraries of The Japan Foundation and The National Film Archive of Japan. See complete schedule below. 

Mifune (1920–1997) arrived at Toho Studios in 1947 seeking a photographer’s assistant job, when he was spotted by young contract director Akira Kurosawa. Thus began an artistic partnership that would produce some of the greatest masterpieces of world cinema, including Rashomon, Seven Samurai, Throne of Blood, Hidden Fortress, High And Low, and Yojimbo. He would cement his icon status with over 150 starring roles, for directors like Mikio Naruse, Hiroshi Inagaki, Kajiro Yamamoto, Kihachi Okamoto, Terence Young, and John Boorman. 

An actor of remarkable grace and  physicality, Mifune remains the lone warrior slashing his way to glory — both Japan’s John Wayne and the prototype for Clint Eastwood. But in the way he revolutionized post-war screen acting with his emotional nakedness, he was also Marlon Brando; in the way he encompassed titanic, complex, classical roles, he was Laurence Olivier. With his towering presence and seemingly endless range, there was, simply, no one like him. 

The series, originally titled MIFUNE 100, commemorating Mifune’s centennial year in 2020, was postponed due to the Covid-19 pandemic. The actor was born on April 1, 1920. MIFUNE has been programmed by Bruce Goldstein, Film Forum’s Director of Repertory Programming, and Japanese film scholar Michael Jeck. 

“I am a person rarely impressed by actors…But in the case of Mifune I was completely overwhelmed. The ordinary Japanese actor might need ten feet of film to get across an impression. Toshirō Mifune needed only three feet.” – Akira Kurosawa 

“Under Kurosawa, Mifune’s versatility is phenomenal. It is as though Kurosawa has been able to draw from Mifune something even Mifune did not know he possessed.” –  Donald Richie, The Films of Akira Kurosawa 

"There would be no Magnificent Seven without The Seven Samurai, no A Fistful of Dollars for Clint Eastwood without Yojimbo, no Star Wars for anyone without The Hidden Fortress."– Keanu Reeves, narrator of Mifune: The Last Samurai 

Public Screening Schedule: 

RASHOMON Japan, 1950 Directed by Akira Kurosawa Cinematography by Kazuo Miyagawa Starring Toshirō Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura Based on Ryunosuke Akutagawa’s short story “In a Grove” Rape and murder in 12th-century Kyoto, as seen by four conflicting witnesses. Adapted from two stories by the great Ryunosuke Akutagawa, its worldwide acclaim (Venice Grand Prize, Best Foreign Film Oscar) vaulted an already-great-but internationally-unknown director and national cinema to world prominence. Machiko Kyō’s performance would land her a LIFE cover and, as the Bandit, Mifune goes beyond overacting into something so outrageous it could only be real. DCP. Approx. 88 min. Friday, February 11 at 2:55, 7:10 Wednesday, February 15 at 5:35 Friday, March 4 at 3:50 Saturday, March 5 at 12:40 Wednesday, March 9 at 6:00 Thursday, March 10 at 12:40, 5:10

 ________________________________________ 

I LIVE IN FEAR
Japan, 1955 Directed by Akira Kurosawa Produced by Sōjirō Motoki Starring Toshirō Mifune, Takashi Shimura 70ish factory owner Mifune (then 35), obsessed with fear of the Bomb, demands his extended family move to the supposed safety of Brazil. Every device at Kurosawa’s command is enlisted to enforce the mood of oppression; with a desperate Mifune’s climactic speech equaling his legendary Seven Samurai monologue. 35mm. Approx. 103 min. Friday, February 11 at 12:40, 4:55, 9:10 Friday, February 18 at 12:30 Saturday, February 19 at 2:50

 ________________________________________ 

THE QUIET DUEL Japan, 1955 Directed by Akira Kurosawa Starring Toshirō Mifune, Miki Sanjo, Takashi Shimura During surgery in a leaky tent at the jungle front, Dr. Mifune is infected with syphilis, then must decide what to do when he returns to an expectant fiancée back home. With Takashi Shimura as his doctor dad; and the opening operation scene a 21-shot tour de force. Kurosawa/Mifune’s rarest film, in a 35mm print especially imported from Japan. 35mm print courtesy of The Japan Foundation. Approx. 95min. Saturday, February 12 at 1:00 Thursday, February 17 at 6:15 Friday, February 18 at 5:10

 ________________________________________ 

THE IDIOT Japan, 1951 Directed by Akira Kurosawa Starring Toshirō Mifune, Setsuko Hara, Masayuki Mori Akira Kurosawa’s powerful adaptation of favorite author Dostoevsky. The triangle: Masayuki Mori the holy innocent “Myshkin;” Mifune the homicidal “Rogozin;” and Ozu’s loveable Setsuko Hara as the vicious “Natasha.” When the producers asked him to cut his 4½ hour original, Kurosawa famously replied “If you want to cut it in half, you’d better cut it lengthwise.” 35mm print courtesy of The Japan Foundation. Approx. 166 min. Saturday, February 12 at 3:20 Sunday 13 February at 5:30 Thursday, 17 February at 3:00 

________________________________________ 

SEVEN SAMURAI Japan, 1954 Directed by Akira Kurosawa Starring Toshirō Mifune, Takashi Shimura, Daisuke Katō, Isao Kimura, Minoru Chiaki, Seiji Miyaguchi, Yoshio Inaba In 16th-century Japan, farmers under the heel of marauding bandits decide to hire ronin for protection; the odds: 7 samurai vs. 40 bandits; their pay: a few grains of rice. With Takashi Shimura as the calm leader, and Mifune as #7, transitioning from manic goofball to tortured, self-hating tragic hero, amid some of the most hair-raising battles ever shot. “No one has come near it.” – Pauline Kael. 35mm print courtesy of The Japan Foundation. Approx. 207 min. Saturday, February 12 at 7:00 Friday, February 18 at 7:10 Monday, February 21 at 12:40 Thursday, March 10 at 7:15 

________________________________________ 

SCANDAL
Japan, 1950 Directed by Akira Kurosawa Starring Toshirō Mifune, Takashi Shimura and Shirley Yamaguchi A successful painter and an attractive pop singer meet innocently at a mountain resort, but Amour magazine takes it from there, with an action for slander leading to Kurosawa’s only — and brilliant — courtroom scene. Mifune as the motorcycling artist has moments of hilarious deadpan humor, but the film is dominated by Takashi Shimura as the sometime lawyer and full-time slob. 35mm print courtesy Japan Foundation. Approx. 104 min. Sunday, February 13 at 12:40 Monday, February 14 at 3:00

 ________________________________________ 

SAMURAI SAGA Japan, 1959 Directed by Hiroshi Inagaki Starring Toshirō Mifune, Yoko Tsukasa Mifune’s 17th century samurai responds to jibes about his enlarged proboscis with witty haiku and slashing swordplay, then plays ghost writer for tongue tied Akira Takarada’s courting of Yoko Tsukasa, even though he secretly loves her himself. Sound familiar? Of course, it’s Cyrano de Bergerac, with Mifune alternately hilarious and moving — and his nose is the best yet, both physically believable, and well, kind of ugly — as called for in the text. 35mm print courtesy of the National Film Archive of Japan. Approx. 111 min. Sunday, February 13 at 3:00 Wednesday, February 16 at 7:35

 ________________________________________ 

STRAY DOG Japan, 1949 Directed by Akira Kurosawa Starring Toshirō Mifune, Takashi Shimura While a rubble-strewn Tokyo swelters through a torrid heat wave, awkward young white-suited detective Mifune finds to his shame that his pistol has been stolen — and that it’s been used in a murder. Thus begins his obsessive, guilt-ridden search, highlighted by a nearly 10-minute sequence shot by hidden camera in the city’s toughest black market. Kurosawa adapted his own unpublished novel for this, the beginning of the genre in Japan. 35mm. Approx. 122 min. Monday, February 14 at 8:10 Friday, February 18 at 2:40 Sunday, February 20 at 12:40 Thursday, February 24 at 5:50 Wednesday, March 9 at 8:10

 ________________________________________ 

SNOW TRAIL
Japan, 1947 Directed by Senkichi Taniguchi Starring Toshirō Mifune, Takashi Shimura On the run from their under-the-credits bank job, initially creepy Takashi Shimura and intimidating 27-year old Mifune (top-billed in his first film); hole up in a remote Japanese mountain lodge with the aging, unsuspecting proprietor, his granddaughter, and a marooned mountaineer. Vertigo and frostbite-inducing winter location shooting in the Japanese Alps. 16mm print courtesy of The Japan Foundation. Approx. 85 min. Tuesday, February 15 at 12:40, 6:00 

________________________________________ 

THE LOWER DEPTHS Japan, 1957 Directed by Akira Kurosawa Starring Toshirō Mifune, Isuzu Yamada, Kyōko Kagawa Gorky’s ensemble play about down-and-outs, transposed to 19th century Japan, in one of the greatest theater to film adaptations ever, with highly original interpretations including Mifune as a punkish thief. All too little known, this is one of Kurosawa’s finest works. 35mm. Approx. 125 min. Tuesday, February 15 at 2:45, 8:00 Wednesday, February 16 at 12:40 Tuesday, March 1 at 5:40

 ________________________________________ 

THRONE OF BLOOD Japan, 1957 Directed by Akira Kurosawa Starring Toshirō Mifune, Isuzu Yamada Macbeth transforms into a medieval Japanese legend, as General Mifune gallops through a seemingly endless forest to his encounter with a single witch, then, as dense fog lifts, finds himself before a looming castle. With the legendary Isuzu Yamada as his Lady, this is a partnership of titans. 35mm. Approx. 110 min. Wednesday February 16 at 3:15 Thursday, February 17 at 12:40, 8:20 Sunday, February 27 at 12:40, 8:10 Sunday, March 6 at 9:05 

________________________________________ 

A WIFE’S HEART
Japan, 1956 Directed by Mikio Naruse Starring Toshirō Mifune, Hideko Takamine Mifune as romantic lead? Every time hard-working wife Hideko Takamine (Floating Clouds, When A Woman Ascends the Stairs) raises enough yen for that coffee shop, her family scarfs it; but visiting bank loan officer Toshirō, here sharply dressed, may have the answer. The intensity of the chemistry between the superstars becomes, without a word or a touch, almost palpable. 35mm print courtesy of The Japan Foundation. Approx. 101 min. Monday, February 14 at 12:40, 6:00 Monday, March 7 at 7:40

 ________________________________________ 

HIGH AND LOW Japan, 1963 Directed by Akira Kurosawa Starring Toshirō Mifune, Tatsuya Nakadai,  Kyōko Kagawa. Shoe company exec Mifune is in the midst of a mortgage-everything takeover battle when the phone rings with a giant ransom demand for his son. Adapted from Ed McBain’s novel King’s Ransom, this is the ultimate kidnap movie, with the cops led by Steve McQueen-cool Tatsuya Nakadai; the money transfer aboard the Shinkansen (bullet train); and a jailhouse interview punctuated by the heaviest steel door closing in film history. 35mm. Approx. 143 min. Saturday, February 19 at 8:00 Wednesday, March 2 at 2:30 Tuesday, March 8 at 12:40, 7:50

 ________________________________________ 

HIDDEN FORTRESS Japan, 1958 Directed by Akira Kurosawa Starring Toshirō Mifune, Misa Uehara, Minoru Chiaki, Kamatari Fujiwara Two constantly bickering and bumbling farmers on the run from clan wars are dragooned by superman general Mifune into aiding his rescue of fugitive princess Misa Uehara and her family’s hidden gold. Pure entertainment from the masters, acknowledged by George Lucas as the inspiration for Star Wars. 35mm. Approx. 139 min. Saturday, February 19 at 5:10 Sunday, February 20 at 7:00 Tuesday, February 22 at 12:40 Saturday, March 5 at 7:10 Monday, March 7 at 3:00

 ________________________________________ 

DRUNKEN ANGEL
Japan, 1948 Directed by Akira Kurosawa Starring Toshirō Mifune, Takashi Shimura, Reisaburo Yamamoto Mifune’s greasily-coiffed “Jungle Boogie”-dancing gangster gets the bad news from alcoholic doctor Takashi Shimura — he’s got TB; and then the prewar boss returns. First collaboration of “the greatest actor-director team in film history” (David Shipman). 35mm. Approx. 98 min. Saturday, February 19 at 12:40 Sunday, February 27 at 6:00 Monday, February 28 at 12:40 Tuesday, March 1 at 8:20 Wednesday, March 2 at 5:50 Thursday, March 10 at 2:45

 ________________________________________ 

RED BEARD Japan, 1965 Directed by Akira Kurosawa Starring Toshirō Mifune, Yūzō Kayama, Tsutomu Yamazaki, Reiko Dan In a 19th-century slum clinic for the poor, a gruff heavily bearded Dr. Mifune (Best Actor, Venice) straightens out an arrogant young intern and through his hardboiled warmth and stern compassion creates, instead of the usual “circle of evil,” rather a circle of good. Mifune’s last film for Kurosawa. 35mm. Approx. 185 min. Sunday, February 20 at 3:10 Tuesday, February 22 at 3:30 Monday, 28 February at 7:45

 ________________________________________ 

ALL ABOUT MARRIAGE Japan, 1958 Directed by Kihachi Okamoto Starring Toshirō Mifune, Izumi Yukimura, Michiyo Tamaki, Ken Uehara Ultra-perky model Izumi Yukimura (a chart-busting singer off-screen) likes single freedom but feels that ryosai kenbo (“good wife, wise mother”) pressure, exemplified by her bored-to-tears sister, with Tatsuya Nakadai arriving late as a hip dreamboat, and Mifune, pricelessly cameoing (uncredited) for friend Okamoto’s first feature, as her acting teacher. 35mm print courtesy of The Japan Foundation. Approx. 84 min. Monday, February 21 at 6:00

 ________________________________________ 

RED SUN Japan, 171 Directed by Terence Young Starring Charles Bronson, Alain Delon, Toshirō Mifune, Ursula Andress, Capucine Left for dead by partner Alain Delon after their robbery of the Japanese Embassy’s train to D.C., Charles Bronson is forcibly recruited to help guard Mifune recover a priceless presentational sword. Then a classic double act across the desert, with cheerful rapscallion Bronson’s repeated escape attempts being foiled by stern straight man Mifune. For once Toshirō dubs his own English, to powerful effect in a speech on the end of the Samurai. 35mm. Approx. 112 min. Wednesday, February 23 at 12:40, 6:10

 ________________________________________ 

HELL IN THE PACIFIC
U.S., 1968 Directed by John Boorman Starring Toshirō Mifune, Lee Marvin Both stranded on an unoccupied Pacific island, Yank Lee Marvin and Japanese Mifune (both actual WWII vets who hit it off great during shooting) keep fighting against each other, until... while speaking their own impenetrable (unsubtitled) languages. Two-man adventure story — stunningly shot in Scope on location on Palau in the Philippine Sea. Digital. Approx. 103 min. Thursday, February 24 at 12:40, 8:20

 ________________________________________ 

JAPAN’S LONGEST DAY Japan, 1967 Directed by Kihachi Okamoto Starring Toshirō Mifune, Chishū Ryū, Takashi Shimura Relentlessly paced and rivetingly accurate account of the day of the surrender, with fanatical middle-level officers trying to take over Tokyo and thwart even the Emperor’s wishes. Mifune as the War Minister dominates a gigantic cast, with the cinema’s most graphic seppuku as the dramatic and horrific climax. 35mm print imported from Japan, courtesy of The Japan Foundation. Approx. 157 min. Tuesday, February 22 at 7:10 Wednesday, February 23 at3:00 Friday, March 4 at 12:40

 ________________________________________ 

SAMURAI ASSASSIN Japan, 1965 Directed by Kihachi Okamoto Starring Toshirō Mifune, Koshiro Matsumoto, Yūnosuke Itō, Michiyo Aratama 1860; and while “snow seldom falls in March,” it’s coming down hard as progressive regent Naosuke Ii starts his heavily guarded daily procession, even as fanatical anti-shogunate samurai move in for their attack. Mifune’s fictional character, an often unsympathetic, embittered, wrong-headed loser, is arguably his most complex non-Kurosawa portrait. A tour-de-force in dynamic framing for the wide screen. 35mm print courtesy Japan Foundation. Approx. 122 min. Wednesday, March 2 at 8:00 Wednesday, March 9 at 12:40

 ________________________________________ 

THE BAD SLEEP WELL Japan, 1960 Directed by Akira Kurosawa Starring Toshirō Mifune, Masayuki Mori, Kyōko Kagawa, Tatsuya Mihashi, Takashi Shimura Scandal-seeking reporters act as a chorus at the wedding reception for bespectacled pencil-pushing executive secretary Mifune and limping boss’s daughter Kyoko Kagawa, even as cops wait in the wings and in wheels a cake shaped like an office building, a single rose marking the site of a notorious suicide — or was it murder? And that’s just the first 20 minutes! Roughly Enron meets Hamlet, as scandal and ruin move inexorably up the corporate ladder. 35mm. Approx. 151 min. Thursday, February 24 at 2:50 Sunday, February 27 at 3:00 Friday, March 4 at 8:20

 ________________________________________ 

SAMURAI REBELLION
Japan, 1967 Directed by Masaki Kobayashi Starring Toshirō Mifune, Yoko Tsukasa, Go Kato, Tatsuya Nakadai Based on Yasuhiko Takiguchi’s short story, Hairyozuma shimatsu Faithful retainer Mifune plays it his Lordship’s way, even when the lord decides to unload his mistress on Mifune’s son. But when their first child suddenly becomes heir, the lord wants her back. The built-up tension is orgasmically released in Mifune’s greatest one-against-all fight and then in a climactic final battle with reluctant pal Tatsuya Nakadai: “As exciting as any duel ever put on film.” – David Shipman. Kinema Jumpo Award for Best Japanese Film of 1967. 35mm. Approx. 128 min. Friday, February 25 at 1:00, 6:00 

________________________________________ 

THE LAST GUNFIGHT Japan, 1960 Directed by Kihachi Okamoto Starring Toshirō Mifune, Kôji Tsuruta, Yôko Tsukasa, Seizaburô Kawazu Exiled to a mobbed-up town, cop Mifune befriends one oyabun, then sympathizes with another (Koji Tsuruta, Musashi’s final opponent) about his wife’s murder: against yakuza rules. But there’s a gang war coming, a tough choice, and a final twist. 35mm print imported from Japan, courtesy of The Japan Foundation. Approx. 95 min. Friday, February 25 at 3:50, 8:40

 ________________________________________ 

ZATOICHI MEETS YOJIMBO Japan, 1970 Directed by Kihachi Okamoto Starring Toshirō Mifune, Shintaro Katsu, Ayako Wakao Mifune squares off with Shintaro Katsu’s Zatoichi in the duel of the super-stars. Twentieth in the Zatoichi series boasts raucous comedy teamwork by the stars, ravishing widescreen color photography by the great Kazuo Miyagawa (Rashomon, Yojimbo), amid a typically complicated plot — craven gang boss, crooked silk merchant, and Mysterious Stranger vying with our heroes for a cache of embezzled gold. 35mm print imported from Japan, courtesy of The Japan Foundation. Approx. 116 min. Saturday, February 26 at 7:30 Thursday, March at 5:10 

________________________________________ 


MIFUNE: THE LAST SAMURAI Japan, 2015 Directed by Steven Okazaki Mifune’s life and career, as told through home movies, family photographs (dating back to his childhood in China; he wouldn’t step foot in Japan till age 20), rare archival footage (including some astounding scenes from otherwise-lost silent chanbara movies), and extensive interviews with Mifune’s family, friends, colleagues. DCP. Approx. 80 min. Monday, February 28 at 6:00 Wednesday, March 2 at 12:40

 ________________________________________ 

MUSASHI MIYAMOTO: SAMURAI TRILOGY PART I Japan, 1954 Directed by Hiroshi Inagaki Starring Toshirō Mifune Adapted from Eiji Yoshikawa's novel, Musashi Umpteenth life of the real (c.1584-1645) swordsman, artist, writer (Book of Five Rings) and ronin Miyamoto (here adapted from Eiji Yoshikawa’s 1930s newspaper serial-turned-novel). Mifune’s young rebel Takezo is captured and tutored by his village priest, and after several years becomes Musashi. Path-breakingly lush color photography. Digital. Approx. 93 min. Tuesday, March 1 at 12:40 Sunday, March 6 at 2:45

 ________________________________________ 

DUEL AT ICHIJOJI TEMPLE: SAMURAI TRILOGY PART II
Japan, 1955 Directed by Hiroshi Inagaki Starring Toshirō Mifune Adapted from Eiji Yoshikawa's novel, Musashi Mifune’s Musashi takes on an entire fighting school in a nighttime duel and Koji Tsuruta’s Kojiro Sasaki first appears. Digital. Approx. 104 min. Tuesday, March 1 at 3:00 Sunday, March 6 at 4:40

 ________________________________________ 

DUEL AT GANRYU ISLAND: SAMURAI TRILOGY PART III Japan, 1956 Directed by Hiroshi Inagaki Starring Toshirō Mifune Adapted from Eiji Yoshikawa's novel, Musashi Musashi and Kojiro pursue separate adventures, but end up at that final daybreak duel. Digital. Approx. 105 min. Sunday, March 6 at 6:50 

________________________________________ 

YOJIMBO Japan, 1961 Directed by Akira Kurosawa Produced by Akira Kurosawa, Tomoyuki Tanaka and Ryūzō Kikushima Starring Toshirō Mifune, Tatsuya Nakadai Wandering into a deserted village, scruffy and hungry ronin Mifune sees his chance to rake in the ryo as a yojimbo (bodyguard). And after checking out the sake merchant’s thugs squaring off against the silk merchant’s goon squad, twice as much, if he hires out to both sides. But there’s a final showdown with Tatsuya Nakadai’s pistol-waving, Elvislike Samurai killer. 35mm. Approx. 110 min. Wednesday, February 23 at 8:30 Saturday, February 26 at 12:40, 5:10 Monday, February 28 at 2:45 Thursday, March 3 at 12:40 Tuesday, March 8 at 3:30

 ________________________________________ 

SANJURO Japan, 1962 Directed by Akira Kurosawa Starring Toshirō Mifune, Tatsuya Nakadai, Yūzō Kayama, Reiko Dan Painfully sincere young samurai plan how to save the day in their clan’s power struggle, but they have to be straightened out and bailed out by grubby ronin Mifune, repeating his Yojimbo role, his final showdown with Tatsuya Nakadai coming to a startling conclusion. 35mm. Approx. 96 min. Saturday, February 26 at 3:00 Thursday, March 3 at 3:00 Tuesday, March 8 at 5:45

 ________________________________________ 

SWORD OF DOOM Japan, 1966 Directed by Kihachi Okamoto Tatsuya Nakadai and Toshiro Mifune star in the story of a wandering samurai who exists in a maelstrom of violence. A gifted swordsman plying his craft during the turbulent final days of shogunate rule in Japan, Ryunosuke (Nakadai) kills without remorse or mercy. It is a way of life that ultimately leads to madness. Kihachi Okamoto’s swordplay classic is the thrilling tale of a man who chooses to devote his life to evil. 35mm. Approx. 121 min. Monday 21 February, 7:55 Wednesday 9 March, 3:10 

________________________________________ 

RED LION Japan, 1969 Directed by Kihachi Okamoto Starring Toshirō Mifune, Shima Iwashita 1868. Stuttering former “village idiot” Mifune returns to his hometown resplendent in a borrowed officer’s red lion headdress, to announce their liberation by advancing anti-shogunate imperialist forces — but there’s a sting in the tale as slapstick farce turns to… 35mm print courtesy of The Japan Foundation. Approx. 115 min. Friday March 4 at 6:00 Saturday, March 5 at 4:45



Who Wants To Watch Karl Glusman?

$
0
0

These photos of actor and MNPP-fave Karl Glusman at the beach are actual eons old -- they're from 2016 right around the time he was co-starring in Nicolas Winding Refn's (brilliant) The Neon Demon! And yet I've never posted them before? God, I suck. Six years of documented sucking, and that's being generous. Anyway here they are in the year 2022 on the occasion of Karl's latest horror flick, called Watcher, getting reviewed by yours truly over at Pajiba after premiering at Sundance earlier this week. Read my review right here! The movie isn't perfect but it scratches the itches of many, many things I love...


... including yes Karl Glusman looking hella suave in a black suit. And so I gave it a mostly good review despite some issues you can probably chalk up to the movie being from a first-time feature filmmaker, one named Chloe Okuno. And if this atmospheric sleek thing is Okuno's first film it's reason enough to be excited about what's to come. Anyway that's that, and this is this, if this is a couple dozen photos of Karl Glusman at the beach six years ago with his ex-wife mostly edited out as best I could. Hit the jump for this...   












Just Dandy With Andy

$
0
0

If you're anything like me... eesh, my apologies. That sounds awful. But besides the main spate of horrors it also means that you have spent roughly 27% of the past two days thinking about those two new photos of Andrew Garfield shot by Ryan McGinley for Netflix Queue magazine that I shared yesterday morning, and that's the least of our problems. Like there are definitely more important things I need to be doing, what with Sundance wrapping up, but everybody needs a dang break here and there and those photos have proven useful. In related nonsense news did any of you notice how similar one of McGinley's photos of Andrew (posted back when we first saw this shoot) was to a photo he took of Harry Styles not too long ago?

bike trails

Of course you didn't notice that -- only crazy people like me notice such things, but there that is, and congratulations, you just lost a childhood memory so you could know it. Anyway I've spent so much time today just drifting off towards these photos, other photos, all the nonsense, because it turns out after watching forty or so movies in the span of a week I am a lil' bit burned out! Who'd have thunk? Which leads me to my point, which is I haven't done the literal only thing I promised I'd do today, which was round-up all of my Sundance coverage. Jinkies. But you know what? Sundance isn't actually over -- I still have some screeners I haven't watched, and the awards are being announced in a couple of hours at which point they're adding a new round of screenings for the weekend, so this is actually fine? I can round things up on Monday, as long as we don't get buried under a mountain of snow and die that is. Who knows! I'm just making excuses for being lazy and sitracted, but I've made far worse excuses than these ones before. So y'all enjoy your weekend, try not to get buried alive if at all possible, and for us the gift of a few more Andy gifs after the jump...




Good Morning, World

$
0
0

Chris Hemsworth keeps all of his clothes on for the entirety of this brand new Elle China photo-shoot and yet part of me is trying to convince the other part of me (you know which part) that this is the best Chris has ever looked? Weird, right? Part of what's making me think that that Chris looks super fine here is the haircut -- it's an excellent haircut all on its own...

... but then you add on the fact that I haven't gotten my haircut in two months because of pandemic concerns (I've been too nervous to go to the barber) and I literally spent all this past weekend feeling really scraggly and gross and wanting to tear the hair out of my head and, uhh, maybe it's just all that talking when I look at these pictures. Whatever! Chris looks great! Good morning, happy Monday, and hit the jump for all the photos...






Five Frames From ?

Everything You Ever Need To Know About Life...

$
0
0

 ... you can learn from:

Waiting For Guffman (1996)

UFO Expert: I've been coming to this circle for about five years, and measuring it. The diameter and the circumference are constantly changing, but the radius stays the same. Which brings me to the number 5. There are five letters in the word Blaine. Now, if you mix up the letters in the word Blaine, mix 'em around, eventually, you'll come up with Nebali. Nebali. The name of a planet in a galaxy way, way, way... way far away. And another thing. Once you go into that circle, the weather never changes. It is always 67 degrees with a 40% chance of rain.

Classified as a 1996 movie most of the time because it played some fests that year Christopher Guest's masterpiece of loving lo-fi thesp foolishness actually came out properly in 1997 -- January 31st 1997 to be exact, making today the film's 25th anniversary! Yes, if you do the math, that makes you old. Me too! Guffman isn't my favorite Guest comedy -- my favorite will always be Best in Show -- but it's my second fave and so full of deep belly laughs it should be classified as a tummy toner. I've done several "Life Lessons" post for the film over the years, see them here, but today I was struck by this WTF random David Cross scene, which I always forget about until it's happening. Good stuff! Do we think Chris Guest will ever reunite the team and make another one of these? (Please say yes.) 



Noah Jupe is in Morning

$
0
0

Honey Boy and A Quiet Place actor Noah Jupe, who appears to be growing up, has just joined the cast of Macbeth and Snowtown director Justin Kurzel's next science-fiction movie called Morning, and it's one hell of a cast he's joining -- Laura Dern and Benedict Cumberbatch, namely. Here's the plot via Deadline:

"The film is set in a near future where society has a pill that does away with the need to sleep. With the added help of an artificial sun, there is no end to morning daylight, living and work. However, as a young generation grows up deprived of the world of sleep, they consider rebelling to reclaim their dreams."

Kurzel's last released film was True History of the Kelly Gang, which we gave a lot of play around these parts as 1) it's very good and 2) its cast of George Mackay, Charlie Hunnam, and Nicholas Hoult (in nothing but sock garters), was of specific this-site-interest. Kurzel has another finished film in the can -- called Nitram and starring Caleb Landry Jones and Judy f'ing Davis I actually shared the trailer for it last August and IFC was said at the time to be releasing the film in the first part of this year, but I haven't heard anything since then. Anyway we dig Kurzel and we clearly dig this new cast so sign us up. As for Jupe well I found this photoshoot of the sixteen-year-old so I am posting it after the jump but nobody look unless it's appropriate for you to do so (I personally wrote this post with my eyes closed)...









Why Not Take a Colin Farrell Short-Shorts Break

$
0
0

These snaps of Colin Farrell, the pandemic's best dressed, are a couple of weeks old now -- I was too busy and couch-bound for Sundance to post them when I first saw them. (I did tweet them though, natch.) But not having them posted proper-like here on the site, as part of our ongoing "Colin Farrell rocking short-shorts" collection, would nag me unto my grave. So here, as a lunchtime snack, I gift thee. Hit the jump for them (with a few bonus snaps of Colin in sweatpants at the bottom just cuz)...















Quote of the Day

$
0
0

"I don’t need characters to be likable. If someone is too likable, I’m slightly repelled by them. I don’t think it’s life, being likable. It serves no one to depict life that’s likable in art.”

That would be Sir Ben Whishaw (okay he's only a "Sir" in my mind, but what a sir!) talking to The Guardian over the weekend (thx Mac) about his next character, the leading role in This is Going to Hurt, a BBC limited series that premieres on February 8th. Apparently when this interview was conducted he'd just gotten his first feedback on his role from critics and the word "unlikable" was bandied about, which he doesn't get -- I agree for the most part... I mean, I have come up against the argument's limitations time to time (usually if the actor playing the unlikable role is someone I already hate beforehand) but mostly, right on. Especially about being repelled by too likable people, haha. 

There are other choice quotes in the interview -- Sir Ben talks about the too-brief nod toward the "Q" of his James Bond character standing for "Queer" in the last film, although the interviewer is wrong about this being the first not-straight nod in the Bond world, since who could forget Javier Bardem flirting with Daniel Craig in Skyfall and getting that, "What makes you think this is my first time?" line out of him?

I sure haven't. Anyway Ben also speaks well in the chat on the topic of non-queer people taking on queer roles, as is apparently the duty of every out performer to comment upon. I feel like I've heard him talk about this a dozen times now? I hope everybody stops asking him from here on out. Just stop asking the question period. We're over it! Anyway go read the chat, Sir Ben aka Our Great Gay Hope is a good read even if he does get all adorably shy about it. And there's a fine fuzzy photoshoot attached too, which I'll share after the jump...




10 Off My Head: My Sundance Round-up

$
0
0

Okay! Here this is! I promised it on Friday and then pulled a "me" and didn't do shit except google photos of Andrew Garfield lifting his arms above his head. That's so Me, to the tune of That's So Raven. I used the excuse that I might have more Sundance content coming out and... well I still might? I haven't decided. But the fest is now over and done -- here are the films that won awards -- and for as of right now I have written ten reviews, and I shall link to them! More than that! I shall link to them in order of preference. Starting with my least favorite reviewed and working up to my most (although the only two that I'd say were actually actively bad are the ones I have ranked at #10 and #9 here). Also mind you I saw around 40 films (that includes short films) so this list, of just the ten that I have reviewed, is hardly the complete picture. And I might write up more? I might not? Today I don't have that answer, but I do have these ten...

Reviewed Sundance Films Ranked Least To Fave

10. Babysitter (dir. Monia Chokri) -- reviewed at TFE

"If the intention is to induce queasiness to go along with the drunken asshole antics then Mission Accomplished, but to what end? I know what it's like to be fall-down drunk and nobody is signing up for that experience in 4DX."

9. Alice (dir. Krystin Ver Linden) -- reviewed at The Film Experience

"We've seen this same traumatic slave narrative hundreds of times by now, and the only thing that kept me plowing through it this time was Keke Palmer, giving every expected beat her all."

8. You Won't Be Alone (dir. Goran Stolevski) -- reviewed at Pajiba 

"It’s actually rather lovely. Most especially in the film’s Orlando-esque second half as Nevena discovers her ability to shape-shift into other forms so she can experience life from their vantage. As “lovely’ as something that involves tearing out the original owner’s organs can be anyway, but the metaphysical-ness of it, which Stolevski leans hard into, strangely manages the feat."

7. Dual (dir. Riley Stearns) -- reviewed at The Film Experience

"Here too Dual, as deadpan inclined as its disposition might be, feels fiery in its back-end convictions -- what is the modern state of the law besides some way to keep us at war with ourselves unto infinity, wiping out the expiration dates on such mediocre substance as flesh, identity, selfhood"

6. Watcher (dir. Chloe Okuno) -- reviewed at Pajiba

"The silky cinematography from Benjamin Kirk Nielsen, muted creams and grays just screaming out for the splashes of crimson we know will come eventually, is to die for, leaving just the right amount of fuzzy out-of-focus at frame’s edges to make us lean forward. There’s an absolutely chilling sequence on a subway train at night that deserves to be studied under the banner of “how to film suspense”..."

5. Speak No Evil (dir.) -- reviewed at The Film Experience

"The gay reading is there for those looking, and becomes moreso as the movie plows along. It's baked right into the eventual tragedy of the thing. Because yes, Speak No Evil gets dark -- so dark you can hardly stand it eventually."

4. Resurrection (dir. Andrew Semans) -- reviewed at TFE

"Anybody who doesn't want to watch the hell out of a movie about Rebecca Hall losing her mind over Tim Roth is not anybody I wanna know."

3. FRESH (dir. ) -- reviewed at Pajiba

"If you ever wondered what might happen if Promising Young Woman met cute with Patrick Bateman then have I got the movie for you!"

2. Brian and Charles (dir. Jim Archer) -- reviewed at Pajiba

"We’ve seen the “boy and his dog” story a million times and there’s a reason for that—the story works, and Brian and Charles, a shaggy goofy lo-fi Brit-wit spin on the thing, works as well as it ever has."

1. Living (dir. Oliver Hermanus) -- reviewed at Pajiba

"Not that Nighy over-plays it—his unshowy work, expertly maneuvered, remains so dialed back and oft-closed-off you become tuned into the slightest shifts in temperature; he makes you lean in so close you begin noticing half- and quarter-degrees. All the better to devastate you when the time comes for devastation, of course. And come does it ever."


Good Morning, World

Five Frames From ?

Viewing all 13816 articles
Browse latest View live